The World's Fair - Revision history

Jalss at 07:27, 17 November 2010

2010-11-17T07:27:03Z

← Older revision		Revision as of 07:27, 17 November 2010
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	The following Note includes references to general works on the Chicago's World Fair with an emphasis on African Americans' role at the Fair.		The following Note includes references to general works on the Chicago's World Fair with an emphasis on African Americans' role at the Fair.

-	=General Works=	+	==General Works==

	See Chapter Three for a general description of the Fair and the participation of Californians; see also On-Line Bibliographic Note: Women at the World’s Fair. The 1893 Chicago World’s Fair has been much written about as a central and symbolic event in nineteenth century American history. The main modern sources I used were JAMES WILLIAM BUEL, THE MAGIC CITY (1974); NEIL HARRIS, WIM DE WIT, JAMES GILBERT, & ROBERT RYDELL, GRAND ILLUSIONS: CHICAGO’S WORLD’S FAIR OF 1893 (1993) [hereafter GRAND ILLUSIONS]; R. REID BADGER, THE GREAT AMERICAN FAIR: THE WORLD’S COLUMBIAN EXPOSITION AND AMERICAN CULTURE (1979); DAVID F. BURG, CHICAGO’S WHITE CITY OF 1893 (1976); CHAIM M. ROSENBERG, AMERICA AT THE FAIR: CHICAGO'S 1893 WORLD'S COLUMBIAN EXPOSITION (2008). MILES ORVELL, THE REAL THING: IMITATION AND AUTHENTICITY IN AMERICAN CULTURE 1880-1940, at 34, 60-61 (1989) argues that in its design, exhibits, and architecture, the Fair was the ultimate example of the “aesthetic of replication” and showed imitation of the Europe and the past. DONALD L. MILLER, CITY OF THE CENTURY: THE EPIC OF CHICAGO AND THE MAKING OF AMERICA (1997) has a chapter on the Fair which synthesizes many of the earlier works. THOMAS J. SCHLERETH, VICTORIAN AMERICA: TRANSFORMATIONS IN EVERYDAY LIFE, 1879-1915 (1991) also has a chapter on the Fair, noting many of its incongruities, such as celebrating progress in the midst of an economic depression. Schlereth also describes the Auxiliary Congresses and says 700,000 people attended. ''Id''. at 171.		See Chapter Three for a general description of the Fair and the participation of Californians; see also On-Line Bibliographic Note: Women at the World’s Fair. The 1893 Chicago World’s Fair has been much written about as a central and symbolic event in nineteenth century American history. The main modern sources I used were JAMES WILLIAM BUEL, THE MAGIC CITY (1974); NEIL HARRIS, WIM DE WIT, JAMES GILBERT, & ROBERT RYDELL, GRAND ILLUSIONS: CHICAGO’S WORLD’S FAIR OF 1893 (1993) [hereafter GRAND ILLUSIONS]; R. REID BADGER, THE GREAT AMERICAN FAIR: THE WORLD’S COLUMBIAN EXPOSITION AND AMERICAN CULTURE (1979); DAVID F. BURG, CHICAGO’S WHITE CITY OF 1893 (1976); CHAIM M. ROSENBERG, AMERICA AT THE FAIR: CHICAGO'S 1893 WORLD'S COLUMBIAN EXPOSITION (2008). MILES ORVELL, THE REAL THING: IMITATION AND AUTHENTICITY IN AMERICAN CULTURE 1880-1940, at 34, 60-61 (1989) argues that in its design, exhibits, and architecture, the Fair was the ultimate example of the “aesthetic of replication” and showed imitation of the Europe and the past. DONALD L. MILLER, CITY OF THE CENTURY: THE EPIC OF CHICAGO AND THE MAKING OF AMERICA (1997) has a chapter on the Fair which synthesizes many of the earlier works. THOMAS J. SCHLERETH, VICTORIAN AMERICA: TRANSFORMATIONS IN EVERYDAY LIFE, 1879-1915 (1991) also has a chapter on the Fair, noting many of its incongruities, such as celebrating progress in the midst of an economic depression. Schlereth also describes the Auxiliary Congresses and says 700,000 people attended. ''Id''. at 171.
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-	=African Americans at the Fair=	+	==African Americans at the Fair==

	CHRISTOPHER ROBERT REED, ALL THE WORLD IS HERE: THE BLACK PRESENCE IN THE WHITE CITY (2000) revises the history of African-American participation in the Fair, told by most previous historians as one largely of exclusion. Reed argues that the influential pamphlet, ''The Reason Why the Colored American is Not in the World's Columbian Exposition: The Afro-American Contribution to Columbian Literature'', written by Black activists, Ida B. Wells, Frederick Douglass, Irvine Garland Penn, and Ferdinand Barnett, has had an undue effect on the assessment. In fact, the pamphlet was conceived of prior to the fair and published in the fair’s early months before the real extent of Black participation was realized. While Blacks were excluded from both the male and female planning commissions appointed by the President, Reed argues that they nevertheless were able to influence state commissions and that a number of exhibits and programs, including exhibits from black colleges, featured blacks. The Haitian exhibit, for example, presided over by Frederick Douglass, was well attended by both blacks and whites.		CHRISTOPHER ROBERT REED, ALL THE WORLD IS HERE: THE BLACK PRESENCE IN THE WHITE CITY (2000) revises the history of African-American participation in the Fair, told by most previous historians as one largely of exclusion. Reed argues that the influential pamphlet, ''The Reason Why the Colored American is Not in the World's Columbian Exposition: The Afro-American Contribution to Columbian Literature'', written by Black activists, Ida B. Wells, Frederick Douglass, Irvine Garland Penn, and Ferdinand Barnett, has had an undue effect on the assessment. In fact, the pamphlet was conceived of prior to the fair and published in the fair’s early months before the real extent of Black participation was realized. While Blacks were excluded from both the male and female planning commissions appointed by the President, Reed argues that they nevertheless were able to influence state commissions and that a number of exhibits and programs, including exhibits from black colleges, featured blacks. The Haitian exhibit, for example, presided over by Frederick Douglass, was well attended by both blacks and whites.

Jalss at 06:18, 17 November 2010

2010-11-17T06:18:03Z

← Older revision		Revision as of 06:18, 17 November 2010
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		+	The following Note includes references to general works on the Chicago's World Fair with an emphasis on African Americans' role at the Fair.
		+
	=General Works=		=General Works=

Jalss at 06:15, 17 November 2010

2010-11-17T06:15:50Z

← Older revision		Revision as of 06:15, 17 November 2010
Line 1:		Line 1:
-	See Chapter Three for a general description of the Fair and the participation of Californians; see also On-Line Bibliographic Note: Women at the World’s Fair. The 1893 Chicago World’s Fair has been much written about as a central and symbolic event in nineteenth century American history. The main modern sources I used were JAMES WILLIAM BUEL, THE MAGIC CITY (1974); NEIL HARRIS, WIM DE WIT, JAMES GILBERT, & ROBERT RYDELL, GRAND ILLUSIONS: CHICAGO’S WORLD’S FAIR OF 1893 (1993) [hereafter GRAND ILLUSIONS]; R. REID BADGER, THE GREAT AMERICAN FAIR: THE WORLD’S COLUMBIAN EXPOSITION AND AMERICAN CULTURE (1979); DAVID F. BURG, CHICAGO’S WHITE CITY OF 1893 (1976); CHAIM M. ROSENBERG, AMERICA AT THE FAIR: CHICAGO'S 1893 WORLD'S COLUMBIAN EXPOSITION (2008). MILES ORVELL, THE REAL THING: IMITATION AND AUTHENTICITY IN AMERICAN CULTURE 1880-1940, at 34, 60-61 (1989) argues that in its design, exhibits, and architecture, the Fair was the ultimate example of the “aesthetic of replication” and showed imitation of the Europe and the past. DONALD L. MILLER, CITY OF THE CENTURY: THE EPIC OF CHICAGO AND THE MAKING OF AMERICA (1997) has a chapter on the Fair, which synthesizes many of the earlier works. THOMAS J. SCHLERETH, VICTORIAN AMERICA: TRANSFORMATIONS IN EVERYDAY LIFE, 1879-1915 (1991) also has a chapter on the Fair, noting many of its incongruities, such as celebrating progress in the midst of an economic depression. Schlereth also describes the Auxiliary Congresses and says 700,000 people attended. Id. at 171.	+	=General Works=

		+	See Chapter Three for a general description of the Fair and the participation of Californians; see also On-Line Bibliographic Note: Women at the World’s Fair. The 1893 Chicago World’s Fair has been much written about as a central and symbolic event in nineteenth century American history. The main modern sources I used were JAMES WILLIAM BUEL, THE MAGIC CITY (1974); NEIL HARRIS, WIM DE WIT, JAMES GILBERT, & ROBERT RYDELL, GRAND ILLUSIONS: CHICAGO’S WORLD’S FAIR OF 1893 (1993) [hereafter GRAND ILLUSIONS]; R. REID BADGER, THE GREAT AMERICAN FAIR: THE WORLD’S COLUMBIAN EXPOSITION AND AMERICAN CULTURE (1979); DAVID F. BURG, CHICAGO’S WHITE CITY OF 1893 (1976); CHAIM M. ROSENBERG, AMERICA AT THE FAIR: CHICAGO'S 1893 WORLD'S COLUMBIAN EXPOSITION (2008). MILES ORVELL, THE REAL THING: IMITATION AND AUTHENTICITY IN AMERICAN CULTURE 1880-1940, at 34, 60-61 (1989) argues that in its design, exhibits, and architecture, the Fair was the ultimate example of the “aesthetic of replication” and showed imitation of the Europe and the past. DONALD L. MILLER, CITY OF THE CENTURY: THE EPIC OF CHICAGO AND THE MAKING OF AMERICA (1997) has a chapter on the Fair which synthesizes many of the earlier works. THOMAS J. SCHLERETH, VICTORIAN AMERICA: TRANSFORMATIONS IN EVERYDAY LIFE, 1879-1915 (1991) also has a chapter on the Fair, noting many of its incongruities, such as celebrating progress in the midst of an economic depression. Schlereth also describes the Auxiliary Congresses and says 700,000 people attended. ''Id''. at 171.

-	CHRISTOPHER ROBERT REED, ALL THE WORLD IS HERE: THE BLACK PRESENCE IN THE WHITE CITY (2000) revises the history of African-American participation in the Fair, told by most previous historians as one largely of exclusion. Reed argues that the influential pamphlet, The Reason Why the Colored American is Not in the World's Columbian Exposition: The Afro-American Contribution to Columbian Literature, written by Black activists, Ida B. Wells, Frederick Douglass, Irvine Garland Penn, and Ferdinand Barnett, has had an undue effect on the assessment. In fact, the pamphlet was conceived of prior to the fair and published in the fair’s early months before the real extent of Black participation was realized. While Blacks were excluded from both the male and female planning commissions appointed by the President, Reed argues that they nevertheless were able to influence state commissions and that a number of exhibits and programs, including exhibits from black colleges, featured blacks. The Haitian exhibit, presided over by Frederick Douglass, was well attended by both blacks and whites.

		+	For contemporary descriptions of the Fair, see A HISTORY OF THE WORLD'S COLUMBIAN EXPOSITION HELD IN CHICAGO IN 1893 (Rossiter Johnson ed., 1897-1898). HUBERT HOWE BANCROFT, THE BOOK OF THE FAIR: AN HISTORICAL AND DESCRIPTIVE PRESENTATION OF THE WORLD'S SCIENCE, ART AND INDUSTRY, AS VIEWED THROUGH THE COLUMBIAN EXPOSITION AT CHICAGO IN 1893 (1894) has lavish descriptions of buildings and exhibits, with a special emphasis on California. The best account of the activities, exhibits, and speeches at the California exhibit is the FINAL REPORT OF THE CALIFORNIA WORLD’S FAIR COMMISSION (1894) [hereafter FINAL REPORT].

-	Many black speakers were on the various programs associated with the Fair; the World’s Congress of Representative women, discussed in On-Line Bibliographic Note: Women at the World’s Fair, featured six black women prominently as speakers. One of Reed’s main points is that African Americans themselves were divided by class and caste, and there was far from a uniform response to the Fair exhibits. Even the Colored People’s Day at the Fair was viewed by some at the time as an appropriate and celebratory occasion, and was, as Reed emphasizes, the occasion for one of Frederick Douglas’s last great speeches on a national platform.

		+	Clara Foltz was at the Fair in May and probably attended the opening ceremonies for the California building. Speakers included Governor Markham; Stephen White, now a United States Senator; and James Phelan, chief of the Fair commission and later Mayor of San Francisco and a United States Senator. Kate Field promoted California viticulture (pure wine rather than degraded liquor). FINAL REPORT, at 59, 93, 95, & 98. Great emphasis on the opening day and throughout the summer was placed on California’s history -- “born free by act of her citizens.” For sheer bulk and exuberance, the California exhibition was unmatched. A full-sized knight on a full-sized horse was rendered in prunes, for instance, and there was a near riot one day when fifty thousand people showed up for the promised basket of free fruit, fresh in on the morning train.

-	I have not dealt in the text with the discrimination shown blacks at the Fair because as far as I am able to determine, the issue was not part of Clara Foltz’s experience there. She attended the Congress of Representative Women in May, which was one of the most integrated of the Fair’s meetings both in attendance and speakers. Of course, neither Foltz nor the other suffragists had any part in the exclusion of black women from the Board of Lady Managers. This exclusion seems especially harsh given that white women fought so hard to be included in the planning commission themselves. But part of Bertha Palmer’s determination to keep black women off the Board was the fact that her political enemies among the suffragists were pushing for their representation. JEANNE MADELINE WEIMANN, THE FAIR WOMEN: THE STORY OF THE WOMAN'S BUILDING AT THE WORLD'S COLUMBIAN EXPOSITION OF 1893, AT 110-24 (1981) [hereafter WEIMANN, FAIR WOMEN].

		+	=African Americans at the Fair=

-	~~For contemporary descriptions of the Fair~~, ~~see A HISTORY OF~~ THE WORLD~~'S COLUMBIAN EXPOSITION HELD~~ IN ~~CHICAGO IN 1893~~ (~~Rossiter Johnson ed., 1897-1898~~). ~~HUBERT HOWE BANCROFT~~, ~~THE BOOK OF THE FAIR~~: ~~AN HISTORICAL AND DESCRIPTIVE PRESENTATION OF THE WORLD~~'~~S SCIENCE~~, ~~ART AND INDUSTRY~~, ~~AS VIEWED THROUGH THE COLUMBIAN EXPOSITION AT CHICAGO IN 1893 (1894) has lavish descriptions of buildings~~ and ~~exhibits~~, ~~with a special emphasis~~ on ~~California~~. ~~The best account~~ of the ~~activities, exhibits,~~ and ~~speeches at~~ the ~~California exhibit is~~ the ~~FINAL REPORT OF THE CALIFORNIA WORLD’S FAIR COMMISSION (1894) [hereafter FINAL REPORT].~~	+	CHRISTOPHER ROBERT REED, ALL THE WORLD IS HERE: THE BLACK PRESENCE IN THE WHITE CITY (2000) revises the history of African-American participation in the Fair, told by most previous historians as one largely of exclusion. Reed argues that the influential pamphlet, ''The Reason Why the Colored American is Not in the World's Columbian Exposition: The Afro-American Contribution to Columbian Literature'', written by Black activists, Ida B. Wells, Frederick Douglass, Irvine Garland Penn, and Ferdinand Barnett, has had an undue effect on the assessment. In fact, the pamphlet was conceived of prior to the fair and published in the fair’s early months before the real extent of Black participation was realized. While Blacks were excluded from both the male and female planning commissions appointed by the President, Reed argues that they nevertheless were able to influence state commissions and that a number of exhibits and programs, including exhibits from black colleges, featured blacks. The Haitian exhibit, for example, presided over by Frederick Douglass, was well attended by both blacks and whites.
-	~~Clara Foltz~~ was at the ~~Fair in May~~ and ~~probably attended~~ the ~~opening ceremonies for the California building. Speakers included Governor Markham; Stephen White~~, ~~now~~ a ~~United States Senator;~~ and ~~James Phelan~~, ~~chief of~~ the Fair ~~commission and later Mayor of San Francisco and a United States Senator~~. ~~Kate Field promoted California viticulture (pure wine rather than degraded liquor). FINAL REPORT~~, at 59, ~~93, 95~~, ~~& 98~~. ~~Great emphasis on~~ the ~~opening day and throughout~~ the ~~summer~~ was ~~placed on California’s history -- “born free~~ by ~~act of her citizens.” For sheer bulk~~ and ~~exuberance~~, ~~the California exhibition~~ was ~~unmatched. A full-sized knight~~ on a ~~full-sized horse was rendered~~ in ~~prunes~~, ~~for instance, and~~ there was ~~a near riot~~ one ~~day when fifty thousand people showed up for~~ the ~~promised basket~~ of ~~free fruit~~, ~~fresh~~ in on the ~~morning train~~.	+
		+
		+	Many black speakers were on the various programs associated with the Fair. The World’s Congress of Representative Women, discussed in On-Line Bibliographic Note: Women at the World’s Fair, featured six black women prominently as speakers. One of Reed’s main points is that African Americans themselves were divided by class and caste, and there was far from a uniform response to the Fair exhibits. Even the Colored People’s Day at the Fair was viewed by some at the time as an appropriate and celebratory occasion, and was, as Reed emphasizes, the occasion for one of Frederick Douglas’s last great speeches on a national platform.
		+
		+
		+	I have not dealt in the text with the discrimination shown blacks at the Fair because as far as I am able to determine, the issue was not part of Clara Foltz’s experience there. She attended the Congress of Representative Women in May, which was one of the most integrated of the Fair’s meetings both in attendance and speakers. Of course, neither Foltz nor the other suffragists had any part in the exclusion of black women from the Board of Lady Managers. This exclusion seems especially harsh given that white women fought so hard to be included in the planning commission themselves. But part of Bertha Palmer’s determination to keep black women off the Board was the fact that her political enemies among the suffragists were pushing for their representation. JEANNE MADELINE WEIMANN, THE FAIR WOMEN: THE STORY OF THE WOMAN'S BUILDING AT THE WORLD'S COLUMBIAN EXPOSITION OF 1893, AT 110-24 (1981) [hereafter WEIMANN, FAIR WOMEN].

Maximw: moved Notes on the World's Fair to The World's Fair

2010-08-17T23:49:31Z

moved Notes on the World's Fair to The World's Fair

← Older revision

Revision as of 23:49, 17 August 2010

Maximw at 21:29, 10 June 2010

2010-06-10T21:29:58Z

← Older revision		Revision as of 21:29, 10 June 2010
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	See Chapter Three for a general description of the Fair and the participation of Californians; see also On-Line Bibliographic Note: Women at the World’s Fair. The 1893 Chicago World’s Fair has been much written about as a central and symbolic event in nineteenth century American history. The main modern sources I used were JAMES WILLIAM BUEL, THE MAGIC CITY (1974); NEIL HARRIS, WIM DE WIT, JAMES GILBERT, & ROBERT RYDELL, GRAND ILLUSIONS: CHICAGO’S WORLD’S FAIR OF 1893 (1993) [hereafter GRAND ILLUSIONS]; R. REID BADGER, THE GREAT AMERICAN FAIR: THE WORLD’S COLUMBIAN EXPOSITION AND AMERICAN CULTURE (1979); DAVID F. BURG, CHICAGO’S WHITE CITY OF 1893 (1976); CHAIM M. ROSENBERG, AMERICA AT THE FAIR: CHICAGO'S 1893 WORLD'S COLUMBIAN EXPOSITION (2008). MILES ORVELL, THE REAL THING: IMITATION AND AUTHENTICITY IN AMERICAN CULTURE 1880-1940, at 34, 60-61 (1989) argues that in its design, exhibits, and architecture, the Fair was the ultimate example of the “aesthetic of replication” and showed imitation of the Europe and the past. DONALD L. MILLER, CITY OF THE CENTURY: THE EPIC OF CHICAGO AND THE MAKING OF AMERICA (1997) has a chapter on the Fair, which synthesizes many of the earlier works. THOMAS J. SCHLERETH, VICTORIAN AMERICA: TRANSFORMATIONS IN EVERYDAY LIFE, 1879-1915 (1991) also has a chapter on the Fair, noting many of its incongruities, such as celebrating progress in the midst of an economic depression. Schlereth also describes the Auxiliary Congresses and says 700,000 people attended. Id. at 171.		See Chapter Three for a general description of the Fair and the participation of Californians; see also On-Line Bibliographic Note: Women at the World’s Fair. The 1893 Chicago World’s Fair has been much written about as a central and symbolic event in nineteenth century American history. The main modern sources I used were JAMES WILLIAM BUEL, THE MAGIC CITY (1974); NEIL HARRIS, WIM DE WIT, JAMES GILBERT, & ROBERT RYDELL, GRAND ILLUSIONS: CHICAGO’S WORLD’S FAIR OF 1893 (1993) [hereafter GRAND ILLUSIONS]; R. REID BADGER, THE GREAT AMERICAN FAIR: THE WORLD’S COLUMBIAN EXPOSITION AND AMERICAN CULTURE (1979); DAVID F. BURG, CHICAGO’S WHITE CITY OF 1893 (1976); CHAIM M. ROSENBERG, AMERICA AT THE FAIR: CHICAGO'S 1893 WORLD'S COLUMBIAN EXPOSITION (2008). MILES ORVELL, THE REAL THING: IMITATION AND AUTHENTICITY IN AMERICAN CULTURE 1880-1940, at 34, 60-61 (1989) argues that in its design, exhibits, and architecture, the Fair was the ultimate example of the “aesthetic of replication” and showed imitation of the Europe and the past. DONALD L. MILLER, CITY OF THE CENTURY: THE EPIC OF CHICAGO AND THE MAKING OF AMERICA (1997) has a chapter on the Fair, which synthesizes many of the earlier works. THOMAS J. SCHLERETH, VICTORIAN AMERICA: TRANSFORMATIONS IN EVERYDAY LIFE, 1879-1915 (1991) also has a chapter on the Fair, noting many of its incongruities, such as celebrating progress in the midst of an economic depression. Schlereth also describes the Auxiliary Congresses and says 700,000 people attended. Id. at 171.
-


	CHRISTOPHER ROBERT REED, ALL THE WORLD IS HERE: THE BLACK PRESENCE IN THE WHITE CITY (2000) revises the history of African-American participation in the Fair, told by most previous historians as one largely of exclusion. Reed argues that the influential pamphlet, The Reason Why the Colored American is Not in the World's Columbian Exposition: The Afro-American Contribution to Columbian Literature, written by Black activists, Ida B. Wells, Frederick Douglass, Irvine Garland Penn, and Ferdinand Barnett, has had an undue effect on the assessment. In fact, the pamphlet was conceived of prior to the fair and published in the fair’s early months before the real extent of Black participation was realized. While Blacks were excluded from both the male and female planning commissions appointed by the President, Reed argues that they nevertheless were able to influence state commissions and that a number of exhibits and programs, including exhibits from black colleges, featured blacks. The Haitian exhibit, presided over by Frederick Douglass, was well attended by both blacks and whites.		CHRISTOPHER ROBERT REED, ALL THE WORLD IS HERE: THE BLACK PRESENCE IN THE WHITE CITY (2000) revises the history of African-American participation in the Fair, told by most previous historians as one largely of exclusion. Reed argues that the influential pamphlet, The Reason Why the Colored American is Not in the World's Columbian Exposition: The Afro-American Contribution to Columbian Literature, written by Black activists, Ida B. Wells, Frederick Douglass, Irvine Garland Penn, and Ferdinand Barnett, has had an undue effect on the assessment. In fact, the pamphlet was conceived of prior to the fair and published in the fair’s early months before the real extent of Black participation was realized. While Blacks were excluded from both the male and female planning commissions appointed by the President, Reed argues that they nevertheless were able to influence state commissions and that a number of exhibits and programs, including exhibits from black colleges, featured blacks. The Haitian exhibit, presided over by Frederick Douglass, was well attended by both blacks and whites.
-


	Many black speakers were on the various programs associated with the Fair; the World’s Congress of Representative women, discussed in On-Line Bibliographic Note: Women at the World’s Fair, featured six black women prominently as speakers. One of Reed’s main points is that African Americans themselves were divided by class and caste, and there was far from a uniform response to the Fair exhibits. Even the Colored People’s Day at the Fair was viewed by some at the time as an appropriate and celebratory occasion, and was, as Reed emphasizes, the occasion for one of Frederick Douglas’s last great speeches on a national platform.		Many black speakers were on the various programs associated with the Fair; the World’s Congress of Representative women, discussed in On-Line Bibliographic Note: Women at the World’s Fair, featured six black women prominently as speakers. One of Reed’s main points is that African Americans themselves were divided by class and caste, and there was far from a uniform response to the Fair exhibits. Even the Colored People’s Day at the Fair was viewed by some at the time as an appropriate and celebratory occasion, and was, as Reed emphasizes, the occasion for one of Frederick Douglas’s last great speeches on a national platform.
-


	I have not dealt in the text with the discrimination shown blacks at the Fair because as far as I am able to determine, the issue was not part of Clara Foltz’s experience there. She attended the Congress of Representative Women in May, which was one of the most integrated of the Fair’s meetings both in attendance and speakers. Of course, neither Foltz nor the other suffragists had any part in the exclusion of black women from the Board of Lady Managers. This exclusion seems especially harsh given that white women fought so hard to be included in the planning commission themselves. But part of Bertha Palmer’s determination to keep black women off the Board was the fact that her political enemies among the suffragists were pushing for their representation. JEANNE MADELINE WEIMANN, THE FAIR WOMEN: THE STORY OF THE WOMAN'S BUILDING AT THE WORLD'S COLUMBIAN EXPOSITION OF 1893, AT 110-24 (1981) [hereafter WEIMANN, FAIR WOMEN].		I have not dealt in the text with the discrimination shown blacks at the Fair because as far as I am able to determine, the issue was not part of Clara Foltz’s experience there. She attended the Congress of Representative Women in May, which was one of the most integrated of the Fair’s meetings both in attendance and speakers. Of course, neither Foltz nor the other suffragists had any part in the exclusion of black women from the Board of Lady Managers. This exclusion seems especially harsh given that white women fought so hard to be included in the planning commission themselves. But part of Bertha Palmer’s determination to keep black women off the Board was the fact that her political enemies among the suffragists were pushing for their representation. JEANNE MADELINE WEIMANN, THE FAIR WOMEN: THE STORY OF THE WOMAN'S BUILDING AT THE WORLD'S COLUMBIAN EXPOSITION OF 1893, AT 110-24 (1981) [hereafter WEIMANN, FAIR WOMEN].
-


	For contemporary descriptions of the Fair, see A HISTORY OF THE WORLD'S COLUMBIAN EXPOSITION HELD IN CHICAGO IN 1893 (Rossiter Johnson ed., 1897-1898). HUBERT HOWE BANCROFT, THE BOOK OF THE FAIR: AN HISTORICAL AND DESCRIPTIVE PRESENTATION OF THE WORLD'S SCIENCE, ART AND INDUSTRY, AS VIEWED THROUGH THE COLUMBIAN EXPOSITION AT CHICAGO IN 1893 (1894) has lavish descriptions of buildings and exhibits, with a special emphasis on California. The best account of the activities, exhibits, and speeches at the California exhibit is the FINAL REPORT OF THE CALIFORNIA WORLD’S FAIR COMMISSION (1894) [hereafter FINAL REPORT].		For contemporary descriptions of the Fair, see A HISTORY OF THE WORLD'S COLUMBIAN EXPOSITION HELD IN CHICAGO IN 1893 (Rossiter Johnson ed., 1897-1898). HUBERT HOWE BANCROFT, THE BOOK OF THE FAIR: AN HISTORICAL AND DESCRIPTIVE PRESENTATION OF THE WORLD'S SCIENCE, ART AND INDUSTRY, AS VIEWED THROUGH THE COLUMBIAN EXPOSITION AT CHICAGO IN 1893 (1894) has lavish descriptions of buildings and exhibits, with a special emphasis on California. The best account of the activities, exhibits, and speeches at the California exhibit is the FINAL REPORT OF THE CALIFORNIA WORLD’S FAIR COMMISSION (1894) [hereafter FINAL REPORT].
	Clara Foltz was at the Fair in May and probably attended the opening ceremonies for the California building. Speakers included Governor Markham; Stephen White, now a United States Senator; and James Phelan, chief of the Fair commission and later Mayor of San Francisco and a United States Senator. Kate Field promoted California viticulture (pure wine rather than degraded liquor). FINAL REPORT, at 59, 93, 95, & 98. Great emphasis on the opening day and throughout the summer was placed on California’s history -- “born free by act of her citizens.” For sheer bulk and exuberance, the California exhibition was unmatched. A full-sized knight on a full-sized horse was rendered in prunes, for instance, and there was a near riot one day when fifty thousand people showed up for the promised basket of free fruit, fresh in on the morning train.		Clara Foltz was at the Fair in May and probably attended the opening ceremonies for the California building. Speakers included Governor Markham; Stephen White, now a United States Senator; and James Phelan, chief of the Fair commission and later Mayor of San Francisco and a United States Senator. Kate Field promoted California viticulture (pure wine rather than degraded liquor). FINAL REPORT, at 59, 93, 95, & 98. Great emphasis on the opening day and throughout the summer was placed on California’s history -- “born free by act of her citizens.” For sheer bulk and exuberance, the California exhibition was unmatched. A full-sized knight on a full-sized horse was rendered in prunes, for instance, and there was a near riot one day when fifty thousand people showed up for the promised basket of free fruit, fresh in on the morning train.

Maximw: Created page with 'See Chapter Three for a general description of the Fair and the participation of Californians; see also On-Line Bibliographic Note: Women at the World’s Fair. The 1893 Chicago…'

2010-06-08T23:53:44Z

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See Chapter Three for a general description of the Fair and the participation of Californians; see also On-Line Bibliographic Note: Women at the World’s Fair. The 1893 Chicago World’s Fair has been much written about as a central and symbolic event in nineteenth century American history. The main modern sources I used were JAMES WILLIAM BUEL, THE MAGIC CITY (1974); NEIL HARRIS, WIM DE WIT, JAMES GILBERT, & ROBERT RYDELL, GRAND ILLUSIONS: CHICAGO’S WORLD’S FAIR OF 1893 (1993) [hereafter GRAND ILLUSIONS]; R. REID BADGER, THE GREAT AMERICAN FAIR: THE WORLD’S COLUMBIAN EXPOSITION AND AMERICAN CULTURE (1979); DAVID F. BURG, CHICAGO’S WHITE CITY OF 1893 (1976); CHAIM M. ROSENBERG, AMERICA AT THE FAIR: CHICAGO'S 1893 WORLD'S COLUMBIAN EXPOSITION (2008). MILES ORVELL, THE REAL THING: IMITATION AND AUTHENTICITY IN AMERICAN CULTURE 1880-1940, at 34, 60-61 (1989) argues that in its design, exhibits, and architecture, the Fair was the ultimate example of the “aesthetic of replication” and showed imitation of the Europe and the past. DONALD L. MILLER, CITY OF THE CENTURY: THE EPIC OF CHICAGO AND THE MAKING OF AMERICA (1997) has a chapter on the Fair, which synthesizes many of the earlier works. THOMAS J. SCHLERETH, VICTORIAN AMERICA: TRANSFORMATIONS IN EVERYDAY LIFE, 1879-1915 (1991) also has a chapter on the Fair, noting many of its incongruities, such as celebrating progress in the midst of an economic depression. Schlereth also describes the Auxiliary Congresses and says 700,000 people attended. Id. at 171.

CHRISTOPHER ROBERT REED, ALL THE WORLD IS HERE: THE BLACK PRESENCE IN THE WHITE CITY (2000) revises the history of African-American participation in the Fair, told by most previous historians as one largely of exclusion. Reed argues that the influential pamphlet, The Reason Why the Colored American is Not in the World's Columbian Exposition: The Afro-American Contribution to Columbian Literature, written by Black activists, Ida B. Wells, Frederick Douglass, Irvine Garland Penn, and Ferdinand Barnett, has had an undue effect on the assessment. In fact, the pamphlet was conceived of prior to the fair and published in the fair’s early months before the real extent of Black participation was realized. While Blacks were excluded from both the male and female planning commissions appointed by the President, Reed argues that they nevertheless were able to influence state commissions and that a number of exhibits and programs, including exhibits from black colleges, featured blacks. The Haitian exhibit, presided over by Frederick Douglass, was well attended by both blacks and whites.

Many black speakers were on the various programs associated with the Fair; the World’s Congress of Representative women, discussed in On-Line Bibliographic Note: Women at the World’s Fair, featured six black women prominently as speakers. One of Reed’s main points is that African Americans themselves were divided by class and caste, and there was far from a uniform response to the Fair exhibits. Even the Colored People’s Day at the Fair was viewed by some at the time as an appropriate and celebratory occasion, and was, as Reed emphasizes, the occasion for one of Frederick Douglas’s last great speeches on a national platform.

I have not dealt in the text with the discrimination shown blacks at the Fair because as far as I am able to determine, the issue was not part of Clara Foltz’s experience there. She attended the Congress of Representative Women in May, which was one of the most integrated of the Fair’s meetings both in attendance and speakers. Of course, neither Foltz nor the other suffragists had any part in the exclusion of black women from the Board of Lady Managers. This exclusion seems especially harsh given that white women fought so hard to be included in the planning commission themselves. But part of Bertha Palmer’s determination to keep black women off the Board was the fact that her political enemies among the suffragists were pushing for their representation. JEANNE MADELINE WEIMANN, THE FAIR WOMEN: THE STORY OF THE WOMAN'S BUILDING AT THE WORLD'S COLUMBIAN EXPOSITION OF 1893, AT 110-24 (1981) [hereafter WEIMANN, FAIR WOMEN].

For contemporary descriptions of the Fair, see A HISTORY OF THE WORLD'S COLUMBIAN EXPOSITION HELD IN CHICAGO IN 1893 (Rossiter Johnson ed., 1897-1898). HUBERT HOWE BANCROFT, THE BOOK OF THE FAIR: AN HISTORICAL AND DESCRIPTIVE PRESENTATION OF THE WORLD'S SCIENCE, ART AND INDUSTRY, AS VIEWED THROUGH THE COLUMBIAN EXPOSITION AT CHICAGO IN 1893 (1894) has lavish descriptions of buildings and exhibits, with a special emphasis on California. The best account of the activities, exhibits, and speeches at the California exhibit is the FINAL REPORT OF THE CALIFORNIA WORLD’S FAIR COMMISSION (1894) [hereafter FINAL REPORT].
Clara Foltz was at the Fair in May and probably attended the opening ceremonies for the California building. Speakers included Governor Markham; Stephen White, now a United States Senator; and James Phelan, chief of the Fair commission and later Mayor of San Francisco and a United States Senator. Kate Field promoted California viticulture (pure wine rather than degraded liquor). FINAL REPORT, at 59, 93, 95, & 98. Great emphasis on the opening day and throughout the summer was placed on California’s history -- “born free by act of her citizens.” For sheer bulk and exuberance, the California exhibition was unmatched. A full-sized knight on a full-sized horse was rendered in prunes, for instance, and there was a near riot one day when fifty thousand people showed up for the promised basket of free fruit, fresh in on the morning train.